Screentime Column The Godfather’s portrayal of villainy allows for its lasting legacy 50 years later By Nate LechnerSenior Staff Writer February 23, 2022
Screentime Column Despite Disney+ success, Star Wars needs to return to box office triumph By Nate LechnerSenior Staff Writer February 16, 2022
Screentime Column Ryusuke Hamaguchi brilliantly crafts a ‘slow burn’ film with ‘Drive My Car’ By Henry O'BrienSports is cinema February 14, 2022
Screentime Column Movies and TV shows to avoid the cold this winter By Christopher ReillyScreentime Columnist February 9, 2022
Screentime Column ‘Flee’ offers a unique approach to depicting a journey of self-discovery By Michael LiebermanScreentime Columnist January 30, 2022
Screentime Column Adam McKay’s ‘Don’t Look Up’ is too forthright to be satirical By Samuel RivoScreen Time Columnist January 24, 2022
Screentime Column 5 movies, TV shows to snuggle up to over winter break By Christopher ReillyScreentime Columnist December 12, 2021
Screentime ‘Red Rocket’ subtly hides grim reality of adult film industry in absurdity By Michael LiebermanScreentime Columnist December 7, 2021
Screentime Online discourse misses nuance of ‘The Last Duel’ By Lucy Messineo-WittSenior Staff Photographer December 6, 2021
Screentime ‘Eternals’ proves that a star-studded cast can’t always save a movie By Nate LechnerSenior Staff Writer November 29, 2021
Screentime Column ‘Passing’ brings light to hidden ambiguity found within racial identity By Madison TylerStaff Writer November 16, 2021
Screentime Visuals, performances in ‘Dune’ draw the viewer in from start to finish By Samuel RivoScreen Time Columnist November 7, 2021
Screentime Column ‘The Velvet Underground’ brilliantly recalls one of music’s most innovative bands By Michael LiebermanScreentime Columnist November 2, 2021
Screentime Column Actors shine in ‘Last Night in Soho,’ but film lacks narrative punch By Henry O'BrienSports is cinema November 2, 2021
Screentime Column ‘Crossing Columbus’ presents the uneasy relationship of bordering cities By Madison Tyler, Samuel RivoThe Daily Orange October 26, 2021
Screentime Column ‘The French Dispatch’ presents technical upside, narrative downside of Wes Anderson By Michael LiebermanScreentime Columnist October 20, 2021
Screentime Column Poorly translated subtitles in ‘Squid Game’ gloss over Korean culture By Jade ChungPeeling it Back Host October 19, 2021
Screentime Column After Daniel Craig’s exit in ‘No Time to Die,’ who can fill the shoes of 007? By Nate LechnerSenior Staff Writer October 18, 2021
Screentime Column ‘C’mon C’mon’ constructs true love letter to the familial experience By Michael LiebermanScreentime Columnist October 14, 2021
Screentime ‘Lamb’ blends horror and family drama to present a terrifying take on parenthood By Henry O'BrienSports is cinema October 11, 2021
Screentime Column Season 2 of ‘Ted Lasso’ spreads message of empathy through darker themes By Samuel RivoScreen Time Columnist October 5, 2021
Screentime Column ‘The Worst Person in the World’ flawlessly breaks the rules of film By Michael LiebermanScreentime Columnist September 30, 2021
Screentime ‘Brooklyn Nine-Nine’ covers police brutality in bittersweet series finale By Samuel RivoScreen Time Columnist September 21, 2021
Screentime ‘Really Love’ offers an underwhelming alternative to Black trauma in film By Madison TylerStaff Writer September 20, 2021